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1 of 1 copy available
1 of 1 copy available

As a favor to his best friend Theo, Miami lawyer Jack Swytek reluctantly agrees to represent Tatum Knight, Theo's brother. Tatum is a thug--a hit man who claims he's gone straight. Tatum tells Jack that a woman named Sally Fenning hired him to kill her but he swears he refused the job. Now Sally is dead and she's named Tatum in her will, along with five other people, all of whom she had reason to hate. The catch is, the only one who will inherit the $46 million is the last one standing. Suddenly people are dying, and Jack has to find out if his client is an innocent man or a killer.

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    • AudioFile Magazine
      The landscape of Sally Fenning's life changes violently when she is viciously attacked and her 4-year-old daughter is killed. Five years later, following a second marriage to a wealthy man, she walks into a bar to negotiate for a murder--hers. Her will leaves $46 million to six people whom she had reason to hate, with the stunning twist that no one can collect until the others have dropped out or died. It's no surprise when the heirs begin to show up dead. Nick Sullivan's comfortable voice is superb with every character, from the approachable Jack Swytek to an Italian goon, a Latino ex-husband, and the sophisticated Vivian. Sullivan's talented delivery and modulations of vocal characteristics create a believability that is flawless. F.L.F. (c) AudioFile 2004, Portland, Maine
    • Publisher's Weekly

      May 19, 2003
      Dangle $46 million in front of six people and tell them the last one standing gets it all. From that shopworn yet undeniably tantalizing premise springs Grippando's latest thriller starring Miami attorney Jack Swyteck. The big pot of money comes from wealthy divorcée Sally Fenning, who leaves an enormous estate following her murder. Not only is her death suspicious, the terms of her will are insidiously cunning. None of the six heirs, all people Fenning despised, can collect until all but one has either died or renounced their share of the inheritance. The common denominator is that all were connected to the murder of Fenning's daughter five years earlier. There is Fenning's ex-husband, his divorce attorney, the prosecutor who failed to bring charges against any suspect, the newspaper reporter who wrote about the case and a mystery man who can't be immediately located. Swyteck's client, hitman Tatum Knight, is the only one not connected to the little girl's murder, though his tie to Fenning is odious in its own right: Fenning tried to hire him to kill her, but he steadfastly denies taking the job. As expected, someone starts knocking off heirs. Those who survive are brutally intimidated into dropping their claim on the estate. Swyteck, meanwhile, scrambles to find out who's behind it all while balancing a love affair on the side. Grippando (Beyond Suspicion) handles his eighth thriller, his third featuring Swyteck, with workmanlike dexterity. As a protagonist, Swyteck is likable, yet there is little to distinguish him from the current throng of attorney-heroes: he's white, refined but not prissy, fighting off middle age. Yet his adventures are comfortingly enjoyable. Despite including a pointless trip to Africa's Ivory Coast, Grippando's latest lives up to its promise as a $46-million game of survival. 8-city author tour.

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